Sweater Weather

Music and Animation Collab

In the fall 23 semester, Drs. Katrina Rushing and Christine Veras joined forces with Associate Professor of Practice Hal Gupta-Fitzgerald in a collaborative project inviting their students to work together. Students from the upper-level experimental animation and music theory courses collaborated and combined their creativity to create a project that included original animation with an original musical score. The final musical pieces were recorded in the Bass School sound studio under Gupta-Fitzgerald’s guidance and his talented student Maikhanh Ho. The final projects of this collaboration were showcased at the Jonsson Performance Hall in October.

The students were divided into pairs, one from each discipline. At the start of the collaboration, we organized a special talk with Aardman Studios director Lucy Izzard, offering inputs from her work with musicians in creating the stop-motion animation series Very Small Creatures.

After the initial group meeting, the students shared ideas around the theme Sweater Weather, and the animators started to develop storyboards. Unlike most music/animation collaborations, the musicians were involved early in the production, offering insights and feedback throughout the creation process.

The animators provided an animatic to their partners to help them plan the key moments of the composition in connection with the action in the animation. While the experimental animators were animating, the musicians rehearsed and prepared to record the music. Associate Professor Gupta-Fitzgerald states: “During the audio production phase of this project, the focus was on precision and technical finesse. Guiding the musicians through live recording in UTD’s sound studio involved meticulous attention to equipment and acoustics. Maikhanh’s high skill level and attention to detail played a crucial role in achieving the seamless synchronization of the musical scores with each animation. The outcome is a testament to the meticulous technical execution that underpins the creative synergy between audio and visual elements in this collaboration.”

The collaboration was 7 weeks long, and before the public screening, the students presented their final animation to the group for input. Animators and musicians have learned a lot about each other’s creative process and production.

The final projects were shared with the public, family, and friends on a special screening.

Dr. Rushing provided insights on the collaboration: “The Bass School of Arts, Humanities and Technology brings together a wide variety of creative and technical possibilities. As a music instructor, I wanted my advanced music theory students to have the opportunity to compose music for a specific purpose as well as develop collaborative skills. After discussing the mood, theme, and color scheme with the animators, the musicians composed a short piece of music to accompany the experimental animation project. Furthermore, the musicians had the opportunity to produce a live recording of their pieces in UTD’s audio engineering studio. The students gained an appreciation for the challenges of experimental animation and discovered the thrill of recording their music in a professional studio. All of the music students were excited and grateful to have this “real-world” experience! “

For Dr. Veras, “This collaboration not only showcases the immense creative potential of our students and faculty but also unfolds the creative possibilities when interdisciplinary talents converge. It was also rewarding to see our facilities in full use, in service of our creative endeavors. In this exchange, the animation students explored the intricacies of their field, sharing their creative process while gaining insights into the field of music. By engaging in this collaboration, students expanded their horizons and learned to cultivate a deeper understanding of the subtleties and challenges involved in collaborative creative projects. In summary, we all learned a lot and have started planning for future collaborations.”

Watch the animations and interviews with the students as screened at our event:

IAD 2023

INTERNATIONAL ANIMATION DAY CELEBRATION

Check the Comet Calendar for this event

For the 4th year, we celebrate the International Animation Day at UTD. This year the celebration happens earlier: One month before the established date. In 2012, ASIFA, the Association Internationale du Film d’Animation, has created the International Animation Day, a celebration of animation worldwide. The date is October 28, in reference to Émile Reynaud’s earliest performances of animation using his Théâtre Optique / Optical Theatre in 1892.

To mark the date this year, our celebration will last two days with screenings of the Best Shorts awarded at the Annecy International Animation Festival 2023. To bring the best of the Annecy Festival to you, we partnered with New York’s French Institute Alliance Française (FIAF) to present Animation First: On Tour.

In 2023, the country spotlighted by the Annecy Festival was Mexico, with a beautiful images created by Jorge R. Gutierrez.

The experimenta.l. lab is proud to bring to Texas the Best of Annecy 2023 to celebrate international animation in all its glory. The poster for International Animation Day this year was created by the Swiss animator Georges Schwizgebel. Georges Scwizgebel was born in 1944 in Switzerland. 1960-65 School of Fine Arts and Decorative Arts. In 1970, he founded Studio GDS and began producing and directing animated shorts. From The Flight of Icarus (1974) to Darwin’s Notebook (2020), he has directed around twenty films, almost all of which have won international awards. Two appear on the list of the 100 most outstanding animated films established in 2006 at the Annecy Festival, 78 Tours (1985) and The Ride to the Abyss (1992).

INTERNATIONAL ANIMATION DAY PROGRAM Sept/27

Wednesday, September 27, at 4:30 p.m. in the Jonsson Performance Hall JO 2.604. This program is not suitable for kids. Parent guidance is advised.

Program total duration: 75 minutes.

This selection of shorts combines mainly winning films from the latest Annecy Festival with two tailor-made opening sequences by second-year students from the GOBELINS PARIS.

Nahualli, Gobelins Paris

Directors: William BURGER, Nina GLAVASKI, Zoé PALASIE, Lila GINGUENE , Garance MONDAMERT, Elisa SOUCANH

An Aztec priest prepares for a ceremony in honor of Quetzalcoatl. The statuettes around him come to life to help him embody this deity.

La Notte (Italy), by Martina GENERALI, Simone PRATOLA, and Francesca ROSSO

Based on the concert “La Notte” by A. Vivaldi. Carnival in Venice: Pulcinella attempts to slip into a VIP party without too much success.
Watch an interview with the directors.

La saison pourpre (France), by Clémence BOURCHEREAU

On the edge of a mangrove, a group of girls live to the rhythm of the climate and the wild geese around them. As time passes, tensions arise, and rivalries develop.
Watch the trailer

Nun or Never! (Finland), by Heta JÄÄLINOJA

A nun’s discovery of a strange but beguiling newcomer threatens to upset the rhythm and harmony she enjoys among her sisters.
Watch the trailer

Our Uniform (Iran), by Yegane MOGHADDAM

An Iranian girl unfolds her school memories by going through the folds and fabrics of her old uniform.
Watch the interview

Mano (Denmark)by Toke MADSEN

Trapped in a neglectful family situation, a protective older brother takes care of his younger sibling.

Drijf (Belgium), by Levi STOOPS

Two people adrift at sea are fighting a bloody battle for both their survival and their relationship.

Watch the interview

Havnesjefen (Norway), by Mia L. HENRIKSEN et Konrad HJEMLI

“The Harbourmaster” tells the true story of its titular swan and of how he went from a beloved small-town icon to a wanted criminal.

27 (France/Hungary), by Flóra Anna BUDA

Alice is 27 years old today. She spends her time daydreaming to escape her dreary everyday life.
Watch the interview

Clavel gris, GOBELINS PARIS

Directors: Antoine DAHAN, Clément DELABY, Rayan TAKHEDMIT

A Mexican little boy discovers the Aztec mythological journey of the soul toward the afterlife.

INTERNATIONAL ANIMATION DAY PROGRAM Sept/28

Thursday, September 28, at 4:30 p.m. in the Jonsson Performance Hall JO 2.604. Special program for kids.

 The “Best of Annecy Kids 2023” assembles funny, touching, poetic short films that children will adore. Films from the Official Selection as well as a tailor-made 2023 Annecy opening sequence by the students of GOBELINS Paris, will make up the program designed to enchant children from the age of 6 and upwards.

Program total duration: 65 minutes.

Jineteo de Yegua, GOBELINS Paris

Directors: Dorozhinskaia Angelina, Guisset O. Anne, Wang Zishu, Pirotais Charlotte, Hinh Wilson, Capodagli Elisa, Gaspard Héry.

A charro is struggling to stay on the back of a mare. The wild crowd supports him in his fight against the beast.

To Be Sisters (France), by Clément CÉARD
and Anne-Sophie GOUSSET

Being sisters means sharing a special bond, laughing together and being driven by love. But these particular sisters share an extra something else, and that’s just fine.

The Goose (France/Czech Republic), by Jan MÍKA

A boy fantasizes about becoming a famous footballer, playing in big stadiums, but first he has to win a match in a small backyard playing against a goose.

Prinzessin Aubergine (Germany), by Dina VELIKOVSKAYA

A king and a queen have almost everything. They search for the perfect seed to grow a child, but the only thing flourishing is their garden.

Pete (USA), by Bret PARKER

Based on a true story about gender identity, Little League Baseball, the people who inspire change, and the superheroes who allow that change to happen.

Wat zit er in die kist? / What’s in That Crate? (Belgium), by Bram ALGOED

“What’s in That Crate?” wondered the captain, bus driver and postman as they transported their cargo. The journey takes them overland, across the sea and in the air before the secret is revealed.

Paperplanes (India), by Arvind Singh JEENA

A noisy, hyper-mischievous classroom of 4th graders are caught off-guard as the teacher walks in unannounced.

Colocation Sauvage / Wild Housemates (France), by Armelle MERCAT-JUNOT

A starry-eyed goat decides to build a cabin in the jungle to live there, but this means she’ll be sharing with some dangerous neighbors.

Animation First: On Tour is presented by New York’s French Institute Alliance Française (FIAF).

Aardman Academy Partnership

The experimenta.l. animation lab at the Harry W. Bass Jr. School of Arts, Humanities, and Technology (BAHT) at the University of Texas at Dallas is now happy to partner with the Aardman Academy.

Our lab is a space for creative research and critical practices in animation that welcomes the participation of undergraduate and graduate students, faculty, and national and international collaborators. We encourage experimentation via a variety of animation techniques, tools, and interfaces.

Opportunities related to our partnership with the Aardman Academy welcome and include students from our entire school through uniquely tailored events. Students from experimental animation and stop-motion classes will particularly benefit from personal feedback from professionals on the Aardman team. In our school, we believe that if you can imagine it, we can make it. Our lab and studio culture blends art, technology, design, engineering, science, and the humanities to create an environment rich with possibilities.

Collaboration is the heart of our school and Animation & Games program, as exemplified in this exciting partnership with the Aardman Academy.

Updates and open events related to the partnership will be updated here and on social media. Stay tuned!