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Paul Gauguin’s Where Do We Come From? What Are We? Where Are We Going?, 1897

Paul Gauguin, Where do we come from? What are we? Where are we going?

Where do we come from? What are we? Where are we going? is a huge, brilliantly colored but enigmatic work painted on rough, heavy sackcloth. It contains numerous human, animal, and symbolic figures arranged across an island landscape. The sea and Tahiti’s volcanic mountains are visible in the background. It is Paul Gauguin’s largest painting, and he understood it to be his finest work.

Where are we going? represents the artist’s painted manifesto created while he was living on the island of Tahiti. The French artist  transitioned from being a “Sunday painter” (someone who paints for his or her own enjoyment) to becoming a professional after his career as a stockbroker failed in the early 1880s. He visited the Pacific island Tahiti in French Polynesia staying from 1891 to 1893. He then returned to Polynesia in 1895, painted this massive canvas there in 1897, and eventually died in 1903, on Hiva Oa in the Marquesas islands.

Gauguin wrote to his friend Daniel de Monfried, who managed Gauguin’s career in Paris while the artist remained in the South Pacific,

I believe that this canvas not only surpasses all my preceding ones, but [also] that I shall never do anything better, or even like it.

-Paul Gauguin

Gauguin completed Where are we going? at a feverish rate, allegedly within one month’s time, and even claimed to de Monfried that he went into the mountains to attempt suicide after the work was finished. Gauguin, ever the master of self-promotion and highly conscious of his image as a vanguard artist, may or may not have actually poisoned himself with arsenic as he alleged, but this legend was quite pointedly in line with the painting’s themes of life, death, poetry, and symbolic meaning.